Peppie in China II

30 December 2018
Back in the Netherlands.
Jingdezhen, China. It was fantastic, fun, weird and actually far too short, 22 days.
And actually back a bit too early because it snowed in Jingdezhen today, I would have liked to see that.
Chinese friends post movies and photos of the snow on WeChat, so I can follow it a bit.
Everyone uses WeChat, similar to our WhatsApp and Facebook.
Everyone is on the phone in the Shanghai metro. Most payments are also done with WeChat, in taxis and shops.
Business cards you hardly get anymore nowadays in China, one immediately asks if you have WeChat.

On the photo with Chinese men, they almost always look serious, so I look pretty .. well, ridiculous then with such a big smile. The ladies usually laugh then, or at least smile.

I have had to work hard to finish everything on time, especially the last days. The two large vases have come out of the kiln beautifully and I hope they can come to the Netherlands soon.
Very special that my good friend and painter from the factory, Xiao Feng, painted on every vase in Chinese characters the words "Made in Jingdezhen". Yes I can recognize some Chinese characters now, so I know that these words are actually there ;-)

The last day I walked around on a large factory site with a lot of smaller porcelain workshops, right on the Yangtze River, far outside the center of Jingdezhen.
A lot of porcelain waste, and even another big vases factory.

I did not really experience the Christmas holidays this year, those days I was finishing the last things.
Oh yeah I got a glass of extra strong rice wine on Christmas Day at the factory and that night I was (ridiculously) early in bed.
With overloaded luggage of Chinese imitation lego, tea, shards and a fairly old, large Chinese abacus back to the Netherlands. The 9 hour long night train trip (to Shanghai) I have spent about completely asleep.

One night in Shanghai in a hotel that looked like an 18th century palace, with a much too large luxury room, nothing to complain about!

This time, my fifth time in China was the most fun and intense time. It almost felt like I really lived in Jingdezhen:-)
Meeting so many lovely and wonderful people, welcoming and helpful, it is of course very nice to have new good friends in China.
The farewell was therefore more difficult this time.
Now I have to get rid of the rice wine addiction and fortunately I have been pretty much cured of my stubborn coffee addiction in 22 days.
The breakfast of delicious soup with mushrooms and a kind of meatball, and two fried eggs without salt as breakfast for 8 Yuan (1 euro) I will also miss.
Back in the land of the fries with mayonnaise and cheese sandwiches.
Ofcourse also very nice to be back home!

Mountains of photo and film material. So I have enough editing to do in the new year..

Peppie in China

14 December 2018
So incredibly cool to be back in the porcelain city of Jingdezhen, China (last time was in 2013 for an exchange project with Delft 'Blue revolution', organized by Adriaan Rees).
It is not the best time to be here in terms of temperature.
Especially if the municipality decides to put the entire inner-city district without electricity for 24 hours. It was a rather fresh night, but I got an extra blanket. And therefore no coffee in the morning. But mushroom soup with eggs in the morning because the restaurant downstairs was open. And other stores worked on an aggregate.
I am really the only foreigner in the city (I am often stared at, haha), I really have not come across one, okay except in the pottery workshop (artist in residence place), but they do not come out of their studio's (at least I think ;-)
Everyone is super nice, in shops, restaurants and especially at the factory where I am working.
Also there it is freezing cold, no heating, so I work with three layers of clothing and a coat. But they do have a small stove arranged for me, so it is not too bad actually.
The factory is located half an hour from the center, and today two taxi drivers could not find it, the first one put me off in the city, the second had to call first with three people and a central.
Yesterday a bit too much rice wine at lunch and then back on the scooter back to my hotel, rollercoaster.
Many scooters, many cars, but nobody drives really hard (at least not as those complete idiots in The Hague that almost rattle me and my children off our bikes).

The first day here I was a tourist and archaeologist and I found a lot of ancient porcelain.

23 December 2018
Yes, you are nothing in China without a scooter!

And here are some more clichés, yes, everybody in the factory  gurgles the whole day and spits on the ground, and the traffic is a real chaos, but still it runs smoothly and smeared, and especially with 3 people together on a scooter + a baby.

And almost all men smoke, and I get a cigarette offered by visitors about five times a day, which I kindly refuse.

And it is hilarious when I walk into an unfamiliar neighborhood supermarket and say Ni Hoa (just hello), everybody thinks it is funny.

Usually they say ’Hello!' to me.

The boss of the factory is a very friendly 66 years old boss  who lives in the factory. Every afternoon at 12 o'clock he cooks a fantastic meal and then I sit down with him on a chair at the table, while the other employees stay or sit here and there in space. The television on the CCTV 30 minutes of news. We communicate via my Google translation app and the same kind of app on the phone of Xiao Feng, the cousin of the boss that I can get along with very well. We have such strange conversations and humor turns out to be quite universal. They especially have to laugh when I try to speak Chinese, that goes pretty well with talking, but I forget about it too quickly, unfortunately I do not have such a linguistic talent. And we talk about Brexit and the army of China (if that is on TV). And we drink Baijiu, a strong drink, at lunch, and then we toast. I tried to refuse once, and no, that was not possible. Today I said that I did not feel so good and if I could get boiled water, of course no problem.

Besides the boss, there are two permanent employees for the heavy work. And four part-time painters. One of the four is a young girl who comes in with a double coat and hood, never says anything and starts painting with gloves on for a few hours and then leaves, her work is taken over by a boy at another time. There is also a muscular guy who throws the vases on the wheel.

Xiao Feng brings me to my hotel in the evening on the back of his scooter. He used to be a hoodlum, but now has a family with young children. Tonight he showed me his scars, nowadays he is just a really friendly guy.

In the morning I eat mushroom soup in the restaurant under my hotel. The owner is a really handsome lady, she works 7 days a week from about 6 in the morning until 9:30 in the evening.

We paint here with Cobalt, which is black before firing and turns blue after firing.

When the painting is finished, the vase is sprayed with glaze that will give the shine after firing. If a vase needs to be sprayed with glaze the boss tells me to leave the building. I suspect that people here are still using lead glaze that is forbidden in The Netherlands.

Furthermore, painting is as what I am used to, only the enormous surface of the vase did take some time getting used to.

A video on drawing and painting

I almost forgot to post this. Just before the summer a video was made about my work. Made by the talented filmmaker Jaco Kruidenier of Maasmedia, Rotterdam.
https://vimeo.com/maasmediarotterdam
Now still in Dutch, but I will be working on a translation in English... to be continued.

Couldn't embed, so please click this link: 
https://vimeo.com/272825478

The kiln Gods have decided.

She opened the kiln and it was good. Two new ceramic sculptures. I was expecting the Majolica in a somewhat blue-gray color. I previously did a test on a different glaze and temperature. (And did not have time for new tests). But on this specific glaze (and higher temperature) it was still just brilliant blue. The kiln Gods have decided (and I will respect their choice)! Thanks Riëlle Beekmans and Leon Perlot!
Now exhibited at ‘Op visite bij Pieter - Beelden in de tuin’, Woonzorgcentrum Stefanna in Delft.
7 September to 7 October 2018

https://beeldenindetuin.weebly.com/op-visite-bij-pieter-stefanna.html

Painting a Fuping bird

Time-lapse of me painting one of my ‘Fuping birds’  a few years ago at Struktuur 68. One of my first attempts to make a time-lapse video, and also to edit a video. Okay to be honest it is not Hollywood quality, but maybe with some practice in a few years I’ll get better at it ;-)

http://pepijnvandennieuwendijk.com/pepijnvandennieuwendijk.com/projects/fuping-bird/

A colourful trio at Cultuurplek

I am participating in a trio show at ‘Cultuurplek’. Together with good friend Tineke van Gils, ceramic artist and Tein Traniello, photographer.
I will show ceramics and oil paintings.

Exclusively for this exhibition Tineke and Pepijn made a ceramic collaboration piece, The Dodo teapot.

Exhibition opening: April 8th, 2018 2 PM.

Opening dates exhibition:
14 / 15 / 21 / 22 / 28 & 29 April from 2 – 5 PM

Cultuurplek
Irenestraat 41
4711 CA
St. Willebrord 

www.cultuurplek.nl

"Nothing is what it seems" news

And now it's time for some "Nothing is what it seems" news!

More info: http://pepijnvandennieuwendijk.com/pepijnvandennieuwendijk.com/tussen-kunst-en-geschiedenis-•-between-art-and-history/

Digging into the history of Coevorden

Archaeologists find extremely special sculptures from the seventeenth century

Coevorden

Anyone who digs in the soil of an old city like Coevorden can make special finds. During excavations in the Kerkstraat archaeologists found walls and remains of cellars from the 17th century. In an old waste well and between other archaeological remains, archaeologists found two extremely intriguing sculptures.

"It is to be expected that you will make special discoveries if you are going to dig in the center of a historic city like Coevorden," says Pepijn van den Nieuwendijk, excavator, at the project in the center of Coevorden. While digging, a stone's throw from the Reformed Church, the archaeologists first found the floor of an old porch. "That seems to consist of two parts. We found a tiled floor in the highest part of the house, "says Van den Nieuwendijk.

Van den Nieuwendijk and his team think that the front house dates from the sixteenth century. "We could trace that from the remains of a cesspool." He points to a semi-circle of slightly darker earth.

"It is always nice to find something from the sixteenth and seventeenth centuries, since Coevorden experienced turbulent times at that time with wars against the Spaniards in the sixteenth century and Bommen Berend in the seventeenth century." "It teaches us more about how life was like in such a time. "

A reference to the war history are the traces of warfare. Finds of musket bullets from the seventeenth century at this excavation are silent witnesses of the war history of Coevorden.

Archaeologists found several cellars in the backyard. Although they are less old the cellar walls are more interesting. "It is still guessing, but we think the front cellar dates back to the late sixteenth century, possibly from the time after the Spanish occupation when damaged houses had to be rebuilt." "The rear part of the basement seems to have been added later, possibly in the early eighteenth century, assuming the brick size and the dating of shards of pottery that we found there. "

CERAMIC CARICATURES FROM THE SEVENTEENTH CENTURY

Behind the cellar walls were cesspits and waste pits found by the archaeologists. Possibly this was a fenced back yard of the houses on the Kerkstraat. Remains of a wooden division were also found.

In a cesspool and a waste pit, the archaeologists found two complete ceramic sculptures of exceptional quality. The statues with a green glaze probably date from the late seventeenth century, and are of great historical and artistic value through their expressive appearance and comic character. "Why these two sculptures are found in almost intact condition is really a mystery," says Van den Nieuwendijk. "They look like caricatures, meant to be scoffed." One of the sculptures looks like a standing soldier with a Spanish-looking helmet and a duck's head (maybe a goose's head?). The other sculpture looks like a soldier on a toy horse, where the toy horse once again has the head of a duck or goose.

"These are artistic seventeenth-century ceramic sculptures as we have never seen before, they provide us with a lot of questions, such as where were they made, and why and how did they get here and why." On the statue there is a year of 1592 , but the archaeologists suspect that it is not the date of production but that it refers to the year 1592 as a historical reference to the expel of the Spaniards in that year. "We know that it dates back to the late seventeenth century because of the glaze used and the context of other finds such as ceramic shards." "Such a historical object is of exceptional importance for the history of Coevorden and also for the history of the country".

The archaeologists hope to find more clues during the course of the excavations that can provide clarity for the mystery of the two sculptures.

The found cellars will be excavated even further, whereby archaeologists in deeper layers can make older finds that can shed more light on the late Middle Ages of Coevorden.

MAP

"We first make a kind of map of the spaces we excavate and we document everything," says Van den Nieuwendijk. "Then we can dig deeper again."

The entire plot has not yet been excavated. So there can still be anything underneath.

The archaeologists are curious about what else can be found under the Coevorden soil.

A few weeks remain for Van den Nieuwendijk and his team for the research. Then a new shop building with houses is built.

La incapacidad de Verdugo

Eight artists from both Drenthe (north-eastern part of The Netherlands) and beyond, who are working in different
disciplines are invited to to take part in the exhibition 'Between Art
and history. The participating artists are Kitty Boon,
Robin d'Archy Shillcock, Siemen Dijkstra, Marieke Geerlings, Jans Muskee, Pepijn
van den Nieuwendijk, Ria Penthum and Herman Roozen. The artists received an explanation about the museum, the collection and the history of Coevorden during a meeting. As a result, they have chosen their own object or story about Coevorden. This object or story served as
starting point to create a work of art. In the exhibition the
chosen subject and the work based on it will be displayed next to each other. 

Through the artistic translation of our collection, in the exhibition answers are given to questions like:
‘What happens to the historical and new objects when they are exhibited side by side?’ and ‘Are you going to look in a different way to the object and history?’

http://www.museumcoevorden.nl

Museum Coevorden
Haven 4
7741 JV Coevorden

On the photograph below my sculpture 'La incapacidad de Verdugo' (2018) made exclusively for this exhibition. 

Flowers on a Jan Snoeck sculpture

Such an incredible honour that I have been asked to paint a large sculpture by Dutch sculptor Jan Snoeck (b. 1927). Flowers in blue and white. When I was chatting with Jan a few years ago at Struktuur 68, I said to him how I would like to paint one of his sculptures entirely in blue and white. He remembered this idea and in december he called me on the phone and said that he didn’t know exactly what to do with this sculpture and wanted me to think of the idea of painting it in blue and white. Ofcourse I loved the idea. I started with the torso in January and now I am working on the legs. 
Working with Jan is such a privilege, despite his age (91) he is still creating works of art, isn’t that amazing?!

Darwin's Dodo new versions

I am working on new versions of the small sculpture series 'Darwin's Dodo'. 
The Dodo's are cast ceramics, handpainted by myself, every Dodo has an unique decoration or special glaze.

They are already available at gallery Untitled in Rotterdam, and soon at a webshop that I am working on. 
Height: 15 cm
Price: € 250,- (please let me know if you are interested in buying one)
2017

Dragonboat Armada

Just finished (yeah!) this large drawing 'Dragonboat Armada'. And I brought it to Rotterdam (gallery Untitled), this week it is at the frame maker shop. Next week back to Den Haag for Art The Hague where gallery Untitled will show it. 
Art The Hague takes place October 4-8, 2017
www.artthehague.nl

Art For Animals’ Sake 2017

I am participating in the upcoming exhibition Art For Animals’ Sake 2017

Fundraising Exhibition
6 – 15 October Amsterdam
www.art-for-animals-sake.com

Art For Animals’ Sake is an initiative of 2 Dutch artists, who wish to contribute to the well-being of animals by high quality contemporary art, starting with a fundraising art exhibition from 6 – 15 October 2017. We have selected 100 talented, either well-known or emerging Dutch and International artists, who are enthusiastic to participate in this fundraising exhibition in support of animal rights organizations. This event will contain art, lectures, music and poetry.

After careful consideration, we have chosen as beneficiaries the following organizations, because of their outstanding and effective striving for animal wellbeing:

House Of Animals, who is also so kind to host our exhibition
Eyesonanimals.nl
Animalrights.nl
Wingsforanimals.nl

Of every sold piece of art, the artist will donate half of the revenue (or more) to the fund. The collected money will be split among the 4 organizations above mentioned.
MISSION STATEMENT
The world in which animals live today is of much growing concern.
New facts come to light each day about abuse in the biotech industry and other sectors where animal testing is prevalent—all in the name of human progress. At the same time, there is a growing awareness about the strong link between animal welfare and human well-being. Humans are slowly coming to know animals as they really are, and not just as resources to be exploited.
This exhibition in Amsterdam envisions, among other things, a future in which the animal and human worlds are united in common interest and collective welfare. It shows animals as our equals—with their own wills, purposes, and personalities—and not as mere victims on the path to human consumption.
Raising awareness of animal abuse and giving aid to abused animals is critical. We want to contribute to organizations that help prevent animal cruelty.  Therefore, all proceeds from Art For Animals’ Sake will go to those organizations that help animals in need. We have asked all artists to use only materials that do not include animal byproducts. 

http://mailchi.mp/a18e8ccc6374/art-for-animals-sake-netherlands-art-exhibition

Makara and Ikuchi

These two vases/sculptures that I call the Makara and Ikuchi vases are specially made for the project ‘Kunstkast’ (‘Art cabinet’), initiated by foundation ‘Op Visite’ from Delft. They have designed two Art cabinets with each containing 5 works of Art. The ‘Kunst kast’ is going to travel around different locations, mostly care institutions, in combination with an art education program.

http://stichtingopvisite.wixsite.com/stichtingopvisite
https://www.facebook.com/stichtingopvisite/

An (my) artwork in your custom-made suit

My drawings of sea creatures are used inside custom-made suits by GMraven.

GMraven is a company based in Utrecht, The Netherlands dedicated to providing high quality custom-made clothing for men. 

While you can buy ordinary suits everywhere these days, we will go that extra mile to ensure the products you buy with us are one of a kind, high quality and outfitted with tiny details that difference the ordinary from the extraordinary.

GMraven makes art wearable. We believe that art should not be just one piece of artwork at one place but a dynamic creation, carried all over the world. This wouldn’t be possible without talented artists who provide us with their art. See below for an overview of the art and artists GMraven works with. Please keep in mind that with our measured suits there is always the possibility to make something of your own! We can create whatever your mind can imagine.

http://www.gmraven.com

Some monstrous fish, a Sea Dragon and a hidden Chinese landscape II

Work continues on this large drawing.

Some monstrous fish, a Sea Dragon and a hidden Chinese landscape

Work in progress on a large drawing, width 150 cm (59.05 inch).
Acrylic ink. 

Ménagerie des Monstres

Solo exhibition Pepijn van den Nieuwendijk | Ménagerie des Monstres

Preview, Friday May 19, 2017 (5 PM – 7 PM)

http://www.untitled2011.com

Welcome to Pepijn van den Nieuwendijk’s imaginative ‘Cirque de Pepin’!

Pepijn van den Nieuwendijk exhibited his work earlier in Japan, Singapore and China. In China, he learned the craft of ceramics during several residences. In Rotterdam, he is particularly famous for his beautiful contribution to the sculpture ‘Ode to Marten Toonder’, which after a renovation has recently been restored and returned to her old familiar spot on Blaak. Van den Nieuwendijk also exhibited in several museums, including Museum Prinsenhof in Delft.

In his solo show Ménagerie des Monstres his love for fairy tales, old stories, historical facts and mythology is clearly present. A Menagerie is a collection of wild and exotic animals kept in captivity, the precursor of the modern zoo. The concept of the menagerie originated in France of the seventeenth century. Initially, the word referred to a household, but later it was referred to as an aristocratic or royal animal collection. The Encyclopédie Méthodique of 1782 defines a menagerie as a “establishment of luxury and curiosity.” Later, the concept of the menagerie also concerned traveling animal collections that exhibited wild animals at trade shows in Europe and the American continent.

An exhibition full of baroque beauty with a surrealistic wink.

– Friday 19th May during the preview at 17.00 – 19.00 (Pepijn van den Nieuwendijk present)

– Thursday 25th May to Sunday 28th of May during Route du Nord (specific times will follow)

– Wednesday 31 May to Sunday 4 June at Poetry International (specific times will follow)

– By appointment via info@untitled2011.com

Solotentoonstelling Pepijn van den Nieuwendijk | Ménagerie des Monstres

Keramiek en olieverf-schilderijen

Preview op vrijdag 19 mei (17.00 – 19.00)

Welkom in het fantasierijke ‘Cirque de Pepin’ van Pepijn van den Nieuwendijk!

Pepijn van den Nieuwendijk exposeerde zijn werk eerder onder meer in Japan, Singapore en China. In China leerde hij de kneepjes van het keramische vak kennen tijdens meerdere residencies. In Rotterdam is hij vooral bekend door zijn prachtige bijdrage aan het beeld ‘Ode aan Marten Toonder’, die na een renovatie sinds kort weer op haar oude vertrouwde plek op Blaak staat. Tevens exposeerde van den Nieuwendijk in meerdere musea, waaronder Museum Prinsenhof.

In zijn soloshow Menagerie des Monsters komt zijn liefde voor sprookjes, oude verhalen, historische feiten en mythologie terug. Menagerie is een verzameling wilde en exotische dieren die in gevangenschap worden gehouden, de voorloper van de moderne dierentuin. Het begrip menagerie is ontstaan in het Frankrijk van de zeventiende eeuw. Aanvankelijk verwees het woord naar een huishouden, maar later werd er voornamelijk een aristocratische of koninklijke dierenverzameling mee aangeduid. De Encyclopédie Méthodique uit 1782 definieert een menagerie als een “vestiging van luxe en curiositeit.” Later kreeg het begrip menagerie ook betrekking op reizende dierenverzamelingen die wilde dieren tentoonstelden op beurzen in Europa en het Amerikaanse continent.

Een expositie vol barokke schoonheid inclusief een surrealistische knipoog.

De expositie is te bezichtigen op:

– Vrijdag 19 mei tijdens de preview om 17.00 – 19.00 (Pepijn van den Nieuwendijk aanwezig)

– Donderdag 25 mei t/m zondag 28 mei tijdens Route du Nord (specifieke tijden komen z.s.m.)

– Woensdag 31 mei t/m zondag 4 juni tijdens Poetry International (specifieke tijden komen z.s.m.)

– Op afspraak via info@untitled2011.com

A Mountain of shards

So cool for an artist working with ceramics (like myself) to discover a field, somewhere between Den Haag, Delft and Zoetermeer, literally scattered with ceramic shards belonging to a Delftware pottery (or potteries) dating to the 17th and 18th century. Shards of saggers (a protective fireclay box enclosing ceramic ware while it is being fired), large ceramic kiln stilts (triangles to support plates while being fired), and many shards of biscuit fired (first firing without glaze) Delftware faience and Majolica. And ofcourse I found blue and white Delftware shards next to other ceramics like clay pipes, German stoneware and one Chinese porcelain export ware bottom piece with an unknown makers mark. Hope to find more soon. 

Chaste turn (Kuisbeurt)

Oh, it's a dirty job but someones gotta do it (and a dangerous one too)… but we care a lot.

Marten Toonder Monument (Rotterdam 2002) chaste turn.

Yellow for gold, and gluing thin gold foil, with Florentine Haak at Zuliani in the village of Zoetermeer.

http://www.vanderkrogt.net/standbeelden/object.php?record=ZH58ad

Never heard of the term "chaste turn" before, but it was the translation I got for the Dutch word "Kuisbeurt" (cleaning something). But actually it is not really a Dutch word but Belgian.